One of the most ridiculous and offensive things about “transwomen” and drag queens is that many of them exist as parodies of women, save for those few who are failed male athletes who are in it to steal the glory of victory from actual women.
Dylan Mulvaney is the apotheosis of this, and his new music video captures the distorted view of womanhood that is being pushed out by the Queer community.
According to Dylan Mulvaney and his new song, “girlhood” consists of:
– Not being able to get out of bed
– Popping prescription pills
– Retail therapy
– Doing the “walk of shame”
– Not remembering who you hook up with
– Overspending
– Flirting for drinks
– Listening to the… pic.twitter.com/o0gT0X9riq— Daily Wire (@realDailyWire) March 13, 2024
This sort of parodic behavior–the embrace of the worst stereotypes of womanhood–is a natural consequence of men who are attracted to the idea of becoming women in the first place. Not being women themselves, they can only model themselves after stereotypes.
Stereotypes are not based on nothing–there is always a bit of truth in them, which is why they evolve in the first place. But they are utterly incapable of capturing the complicated reality of actual people, and when others try to model their behavior after a stereotype, you wind up with the modern equivalent of blackface.
We all know the stereotype of the Italian chef, for instance. Flamboyant, tossing in a little of this and a little of that. The exaggerated use of appendages when communicating. We all have that image. Which is why it is easy to parody and use in comedy. Stereotypes are one of the foundations of comedy, in fact. We recognize the type, and also know that it is only a type, not a reality.
Dylan Mulvaney has always been a parody, which is why so many people doubted the sincerity of his Days of Girlhood for so long. It couldn’t be real because it is so ridiculous.
But this is, indeed, how transwomen (mentally ill men) see being a woman–shallow, carefree, and one-dimensional.
How could it be otherwise? Women are 3 dimensional, as we all are, but a male cannot inhabit the body of a woman and hence can only imitate what they think they see.
Granted, it’s not only Dylan Mulvaney who portrays women as shallow whores. There is, after all, the OnlyFans subculture that promotes a similarly stunted vision of what it means to be a woman, although it portrays whoredom as empowering.
Mulvaney, though, is a pet of the President of the United States, having been given center stage in Biden’s performance as the Queer community’s biggest fan. Mulvaney’s “womanface” performance was given the highest accolades by an administration whose goal seems to be the denigration of the family and the celebration of the worst elements of our society.
The Mulvaney phenomenon isn’t interesting in itself; Dylan is, after all, only one more performer supplying what is demanded by the cultural elite. He is making hay while the sun shines.
This is another way of saying that the powers that be truly want young girls to see what Dylan is as what they should aspire to be.
Disgusting.
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